Specializing in detailed pencil illustrations and watercolor paintings of people, pets and places. To “Consider An Original” contact willstom01@gmail.com for current pricing.

Sunday, June 23, 2013

No. 205: Lines On My Face

Olivia and Gianna by Tom Wills, June 2013
Click on all photos to enlarge.

I have no emotional attachment to these children. I’m a hired pencil, asked to preserve them in graphite. They’re a friend’s neighbors. All I know is that their names are Olivia and Gianna, 3 and 4, sisters.
This will last.
But I have stared into their eyes for half a week. I have fixed their hair, straightened their dresses, made them sit up straight. These things I know how to do, from my own life.
Life is not erasable.
I get to wondering about the people I am asked to draw – especially the ones I don’t know.  Who and where are they?  Are they happy?  Loved?
In the case of children, especially: What will become of them?
They are very close.
Will these sisters grow up together in a "together" household, will they share laughs and friends, dresses and hats, coats and scarves? Secrets?
Or will they grow apart: Science and math, words and music, sports or art?
I hope they treat their parents well. Mom and dad are gonna get wrung out.
Will they break hearts, or fill them with joy?

Lots of blank space remains.
Children are like a new piece of poster board or a blank canvas.  Many little strokes and lines will be added to shape them.  Some will be right, some will be mistakes.  
Handle with care and think about where you lay down the point.
Life is not erasable.
Fixing their hair.
I hope it works out for them. Right now they look so happy, just hugging each other on a couch, all dressed up They are very close.   
I hope it sticks.
It's about how you fill it up.
I’m sending it home with something that I had intended to keep for myself.
The frame, you see, is an antique. It’s gorgeous and heavy, and the glass is hand-cut.  It has that greenish tint to it and its edges are rough.
The frame was rough too, until I repaired it. I fixed the edges and the innards and scraped off some old paint and stain.
Two originals.
I sealed little Olivia and Gianna inside, attached their names to the backing and strung new hanger wire. I took extra care in making the picture and frame very solid.
This will last.
If they argue like sisters over it 20 or 30 years from now, I’m a happy guy.
Ping me.
Contact me at hankbonesman@embarqmail.com or willstom01@gmail.com if you have a memory fit for framing.  I would love to hear your story, and maybe share it.

Hopes.

Tuesday, June 11, 2013

No. 204: Drawn From Memory

"Mom and Dad" by Tom Wills, June 2013.
I can remember that dress was a wooly thing, yellow and green. I remember it like yesterday.
It must have been her only fancy one, when she was young, because it turns up in the few good photos we have of our mother.
The Methodist Church Sunday dress.
Red nails. I remember that too.
I remember the smell of the polish.
Nylons. She called them "hose" and would use clear polish to stop the "runners."
More fumes.
And Estee Lauder.
Same dress. How about that!

Our father, who is still with us, always wore a white shirt. Army veteran, a draftsman, an engineer. I would hear that Sunbeam electric razor buzzing every morning, through the wall in my room. Usually it accompanied some nightmare. It was just a strange sound to wake to, as a child.
Forty-five years he went off like that -- then was shown the door.
The smell of his closet was dry cleaning chemicals and leather shoes.
With a splash of Old Spice.

Click on all photos to enlarge

The watch was an Elgin and it's 5:35 p.m.  The cufflinks were probably my grandfather's. White socks.
It was Christmas, 1960-something. I can smell turkey and mashed potatoes, from scratch. Noises are coming from the kitchen, electric beaters and bubbling gravy.
They were sitting on a little white bench in front of the fake fireplace at my grandparents' house.

A merry Christmas.
I chose not to draw the Christmas decorations.
I'm pretty sure my uncle Paul took the original black and white photograph. He always had cameras with those big flashing cups that annoyed the heck out of us when we were kids.
But now I'm glad he had them.

"Don't look at the camera."

They were young and in love.
I never, ever heard my parents fight. Either they never did, or they were very good at it.
The only ones left are my dad, my brother, myself.

The best work comes at night, when all is quiet.

Before I cut the paper to fit, centered on the wood slab.

I pestered my brother for four months to find a good picture of mom, but all we had were dying days pictures, and I just could not draw that.
Turns out, I had one all along and had forgotten about it. It was upside down in a bottom basement drawer, and I happened upon it quite by accident while looking for another something else that I can't remember.

Shortly after gluing the sketch to the slab. Still not coated.
I'll frame the original photo, and this drawing will never be misplaced.
It's huge, and it's permanent. I stained the wood, glued the drawing to the slab, and then coated it with several layers of lacquer finish. It's hard as a rock and heavy as a table.
The goal was for some of that fresh stain to bleed through the paper as the finish was being applied. I sought a sepia look, like an old photo, and it worked like a charm.

Trying to figure out where the figures stop and the shadows begin.
I'm sure Tom 'n' Linda never knew what their future had in store.
My brother and I are three years apart.
Tom and Gerry, cat and mouse. We both got her sense of humor.
Brother dear got Dad's numbers smarts, money sense and thrill for travel.
I got Mom's gifts for pictures and words. The red hair also went to me. Thanks.

The future was unwritten.

Dad hasn't seen this yet, but I told him about it, if he wants to check it out.
I don't know if we can both take it, together.
"I'll be darn," was about all I could get out of him on the phone.
I also never, ever saw him cry -- and really do not want to.
He remarried, which is OK. Loneliness is a weight, for sure.
His second marriage has exceeded the first in years, by a decade or more.

Both had shades of red in their hair.
Every now and then Mom comes up, but not too often. It's just not discussed.
She coughed for four or five months before anyone wised up. A dry yelp, nothing more.
But it was always.
She painted right to the end, four more years. I remember the entire upstairs smelled of linseed oil, turpentine, oil paints, fixatives.
She had to give up Estee Lauder for Clinique, because chemotherapy made her sensitive to everything.
Goddamned fumes. Maybe that was it.

The first of about 20 coats of polyurethane. Fumes ...

People still die of cancer the same way: very slowly.
They have a lot of time to think about it on the way out. That's the cruelest part.

Dad's been battling it for years, too, here and there, on his skin.
A thorough bastard, it cannot be satisfied by taking just one.

Christmas 1980

So it is true that this piece was drawn from memory, even though I had found a better photograph to work from.
It was drawn from many memories, actually. Most of them are wonderful.
They are with us everywhere and we should not be afraid to tap into them.
Even if some memories will wring us out.

My mother's journal. Nov. 19, 1977, to Dec. 22, 1980.
That's the day she told the doctor she wanted to quit chemotherapy.

Excerpt from 1980 Christmas letter to friends and family.
It also mentions my studying journalism at Kent State,
and my brother getting his drivers license.

My grandmother's handwriting, but she somehow got it wrong.
It was 12:45 a.m., Room 275, St. Joseph Riverside Hospital, Warren, Ohio.
Jan. 28, 1981.
I wrote it down on the last page of her journal.
I can hear the angels.





Sunday, June 9, 2013

Sometimes It's Just Show And Tell


Everything begins. How it ends is what you make of it.
I didn't sell anything during my first live exhibit. But I had three glasses of wine, met some interesting people and got to talk about my art.
 
There was some applause and a few laughs. Stage fright has never been an issue with me.
I donated my Duke Ellington drawing to the venue, Dorian Books and Full Circle Florists, because the guys were so nice to open up on a Sunday for Art Youngstown's inaugural "Second Sunday" event. Stop in and check it out!
There will be more "Second Sunday"s and organizers are thinking up new approaches and ideas to draw in people.
 
Turnout for this new event today was low but I'm attributing that to the first warm and sunny day in a week, and lots of lawns needing cut.
I get that.
 
But here's the other side of the biscuit: Local art needs local support.
Art Youngstown and its friends are your friends, too. We're everyday people who have found a creative outlet from our otherwise drab jobs or, even, lives.
 
We put heart into our work, and to let go of it is a big decision.
It means a lot to me if one of my works means a lot to you.
I know other artists feel that way, too.
 
For now, all of my other pictures are back home on the walls. I won't need to paint the nail holes over on this vacation, and I'm OK with that.
 
Until the next time, you can find me here at Tom Wills Productions, on Facebook, on Twitter.
hankbonesman@embarqmail.com
willstom01@gmail.com

In these days of digital tinkering, handmade art is a rarity, so get it where you can find it.

I also have a thing for bookstores, and books -- and today I found a great one: Frank Zappa's biography, for just $7.
In his immortal words, "Winos Do Not March."




Second Sunday ... is today!

Click on map and drawings to enlarge


Tom Wills Productions LIVE!
Today, June 9
2 p.m. to ??
Dorian Books/First Circle Florists
808 Elm St., Youngstown

It's time to hit the road and do this thing for real:

Wine ... and me!
I have been invited by the Eastern Ohio Counseling Association / Art Youngstown to participate in the premiere "Second Sunday" event, starting at 2 p.m. TODAY at Dorian Books in Youngstown. Music, wine and art. I hope to see some old friends and make some new ones.

As the "featured artist," I am told, some of my works will be auctioned to raise money for the organization. I have also been permitted to have 10 other pieces on hand for sale.
Getting ready for this has been a good chance to select an overview for the guests' consideration.

I am told that Mastropietro Winery wines will be "served" but that the "tasting" idea went by the wayside because of liquor license considerations. I think we'll get more that way, regardless! It's $20 at the door per person.

These three will be auctioned or sold (each signed and numbered). Take time to browse and read about each piece.  Click on images to enlarge, click on web link to go to a particular blog.

Rat Pack, 26'' x 32''
http://tomwillsproductions.blogspot.com/2010/10/40-broken-pencils.html
Glimmer Twins, 25" x 30"
 http://tomwillsproductions.blogspot.com/2012/05/glimmer-twins-at-50.html 




Butterfly (watercolor), 21" x 27"

http://tomwillsproductions.blogspot.com/2011/08/living-color.html 
I will also have available inside of the book store -- or in my car trunk -- these pieces (also signed and numbered). Priced to move -- I need the space!

Bird And Miles, 19" x 24" Priced at $200
http://tomwillsproductions.blogspot.com/2012/12/no-182-bird-miles-three-deuces-club-1947.html
John Coltrane, 20" x 24"  Priced at $160
http://tomwillsproductions.blogspot.com/2012/08/no-165-very-dark.html 

Duke Ellington, 18" x 22"  Priced at $120
http://tomwillsproductions.blogspot.com/2011/07/duke-in-foreground.html 

Nothing Is Real (Lennon), 27" x 32" Priced at $160
 http://tomwillsproductions.blogspot.com/2011/04/nothing-is-real.html 


American Finger (Johnny Cash), 19" x 23" Priced at $120
http://tomwillsproductions.blogspot.com/2011/02/american-finger.html 
Black Wings, 22" x 26"  Priced at $160
http://tomwillsproductions.blogspot.com/2012/10/no-172-black-wings.html 

Toxic Twins (Aerosmith) 39" x 27"  Priced at $180
 http://tomwillsproductions.blogspot.com/2012/06/no-158-toxic-twins.html 


Freddie Mercury, 21" x 26"  Priced at $150
 http://tomwillsproductions.blogspot.com/2012/03/we-did-rock-you.html 
David Bowie, 22" x 22"  Priced at $150
http://tomwillsproductions.blogspot.com/2013/03/no-192-which-david-bowie.html
Pete Townshend, 18" x 22"  Priced at $120
http://tomwillsproductions.blogspot.com/2013/04/substitute.html