Consider An Original.

As an artist, I have been asked to give people lower hairlines, thinner noses, fewer wrinkles, straighter teeth, smaller ears, bigger boobs and smaller boobs. My scalpel is a pencil and, in some cases, an eraser.

Email : willstom01@gmail.com or hankbonesman@embarqmail.com

Follow me on Twitter! http://twitter.com/#!/hankbonesman

Tuesday, June 11, 2013

No. 204: Drawn From Memory

"Mom and Dad" by Tom Wills, June 2013.
I can remember that dress was a wooly thing, yellow and green. I remember it like yesterday.
It must have been her only fancy one, when she was young, because it turns up in the few good photos we have of our mother.
The Methodist Church Sunday dress.
Red nails. I remember that too.
I remember the smell of the polish.
Nylons. She called them "hose" and would use clear polish to stop the "runners."
More fumes.
And Estee Lauder.
Same dress. How about that!

Our father, who is still with us, always wore a white shirt. Army veteran, a draftsman, an engineer. I would hear that Sunbeam electric razor buzzing every morning, through the wall in my room. Usually it accompanied some nightmare. It was just a strange sound to wake to, as a child.
Forty-five years he went off like that -- then was shown the door.
The smell of his closet was dry cleaning chemicals and leather shoes.
With a splash of Old Spice.

Click on all photos to enlarge

The watch was an Elgin and it's 5:35 p.m.  The cufflinks were probably my grandfather's. White socks.
It was Christmas, 1960-something. I can smell turkey and mashed potatoes, from scratch. Noises are coming from the kitchen, electric beaters and bubbling gravy.
They were sitting on a little white bench in front of the fake fireplace at my grandparents' house.

A merry Christmas.
I chose not to draw the Christmas decorations.
I'm pretty sure my uncle Paul took the original black and white photograph. He always had cameras with those big flashing cups that annoyed the heck out of us when we were kids.
But now I'm glad he had them.

"Don't look at the camera."

They were young and in love.
I never, ever heard my parents fight. Either they never did, or they were very good at it.
The only ones left are my dad, my brother, myself.

The best work comes at night, when all is quiet.

Before I cut the paper to fit, centered on the wood slab.

I pestered my brother for four months to find a good picture of mom, but all we had were dying days pictures, and I just could not draw that.
Turns out, I had one all along and had forgotten about it. It was upside down in a bottom basement drawer, and I happened upon it quite by accident while looking for another something else that I can't remember.

Shortly after gluing the sketch to the slab. Still not coated.
I'll frame the original photo, and this drawing will never be misplaced.
It's huge, and it's permanent. I stained the wood, glued the drawing to the slab, and then coated it with several layers of lacquer finish. It's hard as a rock and heavy as a table.
The goal was for some of that fresh stain to bleed through the paper as the finish was being applied. I sought a sepia look, like an old photo, and it worked like a charm.

Trying to figure out where the figures stop and the shadows begin.
I'm sure Tom 'n' Linda never knew what their future had in store.
My brother and I are three years apart.
Tom and Gerry, cat and mouse. We both got her sense of humor.
Brother dear got Dad's numbers smarts, money sense and thrill for travel.
I got Mom's gifts for pictures and words. The red hair also went to me. Thanks.

The future was unwritten.

Dad hasn't seen this yet, but I told him about it, if he wants to check it out.
I don't know if we can both take it, together.
"I'll be darn," was about all I could get out of him on the phone.
I also never, ever saw him cry -- and really do not want to.
He remarried, which is OK. Loneliness is a weight, for sure.
His second marriage has exceeded the first in years, by a decade or more.

Both had shades of red in their hair.
Every now and then Mom comes up, but not too often. It's just not discussed.
She coughed for four or five months before anyone wised up. A dry yelp, nothing more.
But it was always.
She painted right to the end, four more years. I remember the entire upstairs smelled of linseed oil, turpentine, oil paints, fixatives.
She had to give up Estee Lauder for Clinique, because chemotherapy made her sensitive to everything.
Goddamned fumes. Maybe that was it.

The first of about 20 coats of polyurethane. Fumes ...

People still die of cancer the same way: very slowly.
They have a lot of time to think about it on the way out. That's the cruelest part.

Dad's been battling it for years, too, here and there, on his skin.
A thorough bastard, it cannot be satisfied by taking just one.

Christmas 1980

So it is true that this piece was drawn from memory, even though I had found a better photograph to work from.
It was drawn from many memories, actually. Most of them are wonderful.
They are with us everywhere and we should not be afraid to tap into them.
Even if some memories will wring us out.

My mother's journal. Nov. 19, 1977, to Dec. 22, 1980.
That's the day she told the doctor she wanted to quit chemotherapy.

Excerpt from 1980 Christmas letter to friends and family.
It also mentions my studying journalism at Kent State,
and my brother getting his drivers license.

My grandmother's handwriting, but she somehow got it wrong.
It was 12:45 a.m., Room 275, St. Joseph Riverside Hospital, Warren, Ohio.
Jan. 28, 1981.
I wrote it down on the last page of her journal.
I can hear the angels.





Sunday, June 9, 2013

Sometimes It's Just Show And Tell


Everything begins. How it ends is what you make of it.
I didn't sell anything during my first live exhibit. But I had three glasses of wine, met some interesting people and got to talk about my art.
 
There was some applause and a few laughs. Stage fright has never been an issue with me.
I donated my Duke Ellington drawing to the venue, Dorian Books and Full Circle Florists, because the guys were so nice to open up on a Sunday for Art Youngstown's inaugural "Second Sunday" event. Stop in and check it out!
There will be more "Second Sunday"s and organizers are thinking up new approaches and ideas to draw in people.
 
Turnout for this new event today was low but I'm attributing that to the first warm and sunny day in a week, and lots of lawns needing cut.
I get that.
 
But here's the other side of the biscuit: Local art needs local support.
Art Youngstown and its friends are your friends, too. We're everyday people who have found a creative outlet from our otherwise drab jobs or, even, lives.
 
We put heart into our work, and to let go of it is a big decision.
It means a lot to me if one of my works means a lot to you.
I know other artists feel that way, too.
 
For now, all of my other pictures are back home on the walls. I won't need to paint the nail holes over on this vacation, and I'm OK with that.
 
Until the next time, you can find me here at Tom Wills Productions, on Facebook, on Twitter.
hankbonesman@embarqmail.com
willstom01@gmail.com

In these days of digital tinkering, handmade art is a rarity, so get it where you can find it.

I also have a thing for bookstores, and books -- and today I found a great one: Frank Zappa's biography, for just $7.
In his immortal words, "Winos Do Not March."




Second Sunday ... is today!

Click on map and drawings to enlarge


Tom Wills Productions LIVE!
Today, June 9
2 p.m. to ??
Dorian Books/First Circle Florists
808 Elm St., Youngstown

It's time to hit the road and do this thing for real:

Wine ... and me!
I have been invited by the Eastern Ohio Counseling Association / Art Youngstown to participate in the premiere "Second Sunday" event, starting at 2 p.m. TODAY at Dorian Books in Youngstown. Music, wine and art. I hope to see some old friends and make some new ones.

As the "featured artist," I am told, some of my works will be auctioned to raise money for the organization. I have also been permitted to have 10 other pieces on hand for sale.
Getting ready for this has been a good chance to select an overview for the guests' consideration.

I am told that Mastropietro Winery wines will be "served" but that the "tasting" idea went by the wayside because of liquor license considerations. I think we'll get more that way, regardless! It's $20 at the door per person.

These three will be auctioned or sold (each signed and numbered). Take time to browse and read about each piece.  Click on images to enlarge, click on web link to go to a particular blog.

Rat Pack, 26'' x 32''
http://tomwillsproductions.blogspot.com/2010/10/40-broken-pencils.html
Glimmer Twins, 25" x 30"
 http://tomwillsproductions.blogspot.com/2012/05/glimmer-twins-at-50.html 




Butterfly (watercolor), 21" x 27"

http://tomwillsproductions.blogspot.com/2011/08/living-color.html 
I will also have available inside of the book store -- or in my car trunk -- these pieces (also signed and numbered). Priced to move -- I need the space!

Bird And Miles, 19" x 24" Priced at $200
http://tomwillsproductions.blogspot.com/2012/12/no-182-bird-miles-three-deuces-club-1947.html
John Coltrane, 20" x 24"  Priced at $160
http://tomwillsproductions.blogspot.com/2012/08/no-165-very-dark.html 

Duke Ellington, 18" x 22"  Priced at $120
http://tomwillsproductions.blogspot.com/2011/07/duke-in-foreground.html 

Nothing Is Real (Lennon), 27" x 32" Priced at $160
 http://tomwillsproductions.blogspot.com/2011/04/nothing-is-real.html 


American Finger (Johnny Cash), 19" x 23" Priced at $120
http://tomwillsproductions.blogspot.com/2011/02/american-finger.html 
Black Wings, 22" x 26"  Priced at $160
http://tomwillsproductions.blogspot.com/2012/10/no-172-black-wings.html 

Toxic Twins (Aerosmith) 39" x 27"  Priced at $180
 http://tomwillsproductions.blogspot.com/2012/06/no-158-toxic-twins.html 


Freddie Mercury, 21" x 26"  Priced at $150
 http://tomwillsproductions.blogspot.com/2012/03/we-did-rock-you.html 
David Bowie, 22" x 22"  Priced at $150
http://tomwillsproductions.blogspot.com/2013/03/no-192-which-david-bowie.html
Pete Townshend, 18" x 22"  Priced at $120
http://tomwillsproductions.blogspot.com/2013/04/substitute.html 






Wednesday, June 5, 2013

No. 202: Father's Day

Generally the ones that I am most proud of have zero to do with money.

John and Johnnie Goodwin, June 2013
There are few words here. All you need to know about manhood, love and responsibility is in this picture. Thanks for looking in on them.
We will visit them again in a few weeks.





Monday, May 20, 2013

No. 199: Blonde Ambition: Wilma Smith

Wilma Smith by Tom Wills, May 2013

A venture: Something, such as money or cargo, at hazard in a risky enterprise.

“Delivering a big chunk of art this morning, several miles away, in a parking lot. To a woman with a runny nose.”

 

This is Wilma Smith, who this week ends a 35-year Cleveland television career.
The delivery of her farewell portrait to a Fox 8 staffer was a minor venture.

The first attempt was sidelined by the rescue in May of three girls who had been kidnapped in Cleveland a decade ago.  Reporter Peggy Sinkovich and Fox 8 News are all over that story, and she was working 14-hour days.

 
 
The second attempt was nearly scratched by Peggy's walking pneumonia.
But we met in the parking lot of Welshfield Inn in Troy Township, before 9 a.m. on May 18, and did the deed.
We were very efficient.

She had a fever. 
It couldn’t wait any longer!
I stashed Wilma in the back seat of Peggy’s SUV.
Her retirement bash was in only three days.

It took 12 minutes because we talked a lot, reminiscing about Peggy’s days at The Vindicator newspaper (where I remain),  and catching her up on old friends still there.
Old bosses never retire. They just keep saying goodbye.

Insider’s joke: I now know where the BB holes behind the map came from.

But back to Cleveland and the goodbye bash …


Peggy says Wilma’s for real. A nice person, very helpful, and a hell of a whistler.  A symphonic whistler, in fact.  “She whistles Beethoven.”
Wilma  has won 10 local Emmy awards."For a girl from Garfield Heights, it was a dream come true. But you just don't want to stay at the party too long," she told The Plain Dealer in March. 

http://www.cleveland.com/tv-blog/index.ssf/2013/03/wilma_smith_announces_she_is_retiring_ending_her_35-year_cleveland_broadcast_career.html

She grew up in Garfield Heights, attending Garfield Heights High School and Bowling Green State University. She was an undergraduate double major in speech and English, also earning a master's in broadcast journalism.
 

So she’s beautiful and smart. And married: living in Geauga County with her husband, Tom Gerber. They want to spend more time together, and with family.  Good for them.  Because journalism is not a family-friendly enterprise, and the longer the career the more difficult it gets.

Smith began her Cleveland broadcasting career on July 17, 1977, at WEWS Channel 5. She was the co-host of "Afternoon Exchange" and "Live On 5.” After 17 years at the Cleveland ABC affiliate, she moved to Channel 8 in 1994. From 1995 until 2005, she anchored the 6 and 10 p.m. In 2005, Smith cut back, doing only the 6 p.m. news.


I remember my mother watching Afternoon Exchange when I’d get home from high school. I’m pretty sure that’s when my dad’s Wilma love began, too.
“I was just wondering if you had it done yet,” he asked.
In fact, he called me twice to ask.
This is the first time my dad has asked to come over and see one of my drawings.
He loved it.

Peggy tells me Wilma was moved to tears when she gave it to her.
She didn’t want the picture to get lost in all of the retirement party hoopla, so she gave it to Wilma a day early -- in the TV station’s parking lot.
Somehow, I knew that would happen.


What was going on in that parking lot? The Amish want to know.