Specializing in detailed pencil illustrations and watercolor paintings of people, pets and places. To “Consider An Original” contact willstom01@gmail.com for current pricing.

Monday, March 13, 2017

No. 365: I Know You, Rider

No. 356: "Captain."  Watercolor, March 2017

I find horses heavy beasts — steamy, shining and aloof. Not huggable, like a hairy dog is lovable.

Aloof. Not huggable.

Have had a few dogs, but never a horse. I have, however, come to know several very dedicated, very educated horse women.
It is quite a bond of love and money. Horses demand real estate, investment and maintenance.
There is something very fine about a woman and controlled equine power.

The beginning sketch, to be painted over.

This, “Captain,” is my fourth horse painting, and there are another nine horse drawings. So I have had plenty of time for studying them, and for getting to know their riders.

Washing in the initial watercolors.

“Captain” is slightly different from the others, however, in that I have not yet personally met his owner, who lives in a Columbus suburb. She ordered the painting after seeing one that I had done for my cousin, a friend of hers. We are now planning a meet and greet, as well as a picture exchange.

Washed in the trees.

The painting mimics a photo that I was emailed, and though the horse was prominent in the image, the rider was not; nor was she well-defined.
That made this painting difficult, as did its depth: The horse and rider in the foreground, kicking up dust; and the track and woods behind the fence.

Trees and grasses in their unfinished state

I wanted the light on the horse and rider, but wanted the light to show through the darker trees. This was accomplished by trial, error and a few layers of paint — the trees got painted three times (no small ordeal with watercolors).

In fact at one point I despaired that I’d ruined the painting.

Still working on the trees and the dusty hooves

But what did result is a painting that suggests a lot of things, such as the rider’s face, and those tree leaves and branches. Distance betters the illusion: From a few steps back, the trees look realistic, and horse and rider capture the sunlight.

Finished, with trees and dusty hooves lightened up and smoothed put.

I’m not quite a confident painter, not really there yet. The point where I know whether things will work, or not, isn’t as clear to me as it is with my drawings. But the sense of relief is greater upon completion.

I know you, rider. Or I will soon enough. 

Monday, March 6, 2017

No. 364: Hello It's Me




a·dorbs/əˈdôrbz/

adjective
  1. inspiring great delight; cute or adorable.
  2.  

It's a real adjective!  And all of my wordy, literate friends hate it! And they despise overuse of exclamation points! I'm told they bastardize the English language!

But people, let me testify: This. Is. ADORBS. (!!!)

This child, Karter, is my brother's granddaughter.  And this picture was a rush job, crammed in between other projects and finished in four days to have it ready for her first birthday party. 

Now, she'll never remember anything of this picture, her smash cake or her gifts. First birthday parties are really an adult excuse to get the family together over fried chicken, beer and snacks.

But this portrait now hangs in the family's dining room and will watch over many more future gatherings. Some memories are meant to last.






If you wish to Consider An Original, contact me at willstom01@gmail.com, here, or on Facebook. 



Wednesday, March 1, 2017

No. 361: A Very Neat Idea


Isn’t it great when a friendship has deep roots? These two women -- yes, two (though there are four in the picture) --  have been friends for more than 50 years.


Here's how this project got started:
“A little history: Sal and I have been friends since first grade. We are now in our sixties,” wrote Dawn, from Texas.
She wound up working with me to bring this commemorative piece to fruition.  Sal is in Ohio, near enough to my town. 
I was emailed three photos:  The ladies now, and the girls in high school.



So I wrote back: “This could be really special and unique. I could draw the two of you as you are now, with your high school selves looking on much lighter in the background.”
And that’s exactly what happened!


Dawn and I talked about what to leave in, and leave out.  And we had a good late-night phone conversation about cheeks, which was kinda fun and productive.


Also, this is the first time that I took my work outside and photographed it in natural light, rather than the shadowy florescence of my basement art room.  I'll use this method again.


This piece showed up at Sal’s house this week.  Surprise!




Watch it happen ...