Specializing in detailed pencil illustrations and watercolor paintings of people, pets and places. To “Consider An Original” contact willstom01@gmail.com for current pricing.

Friday, December 25, 2015

The 2015 Christmas Collection


I'm grateful for the mad rush through the holiday season as art orders came in a wave -- but carefully flew out from here, at Tom Wills Productions. Some of my works were chosen as that "special gift" and that is extremely important to me.
Not all of these were intended as holiday gifts -- and not all of the surprises are here. Timing and circumstances (birthdays, anniversaries, delayed visits) ended up placing many of these works very close to Dec. 25. So I'm counting them all as Christmas goodies!
When you Consider an Original, remember that we are preserving a memory, and that I take care to make them last for generations.
Wishing everyone a fine 2016, thanking you all for your business and friendship in 2015.

Sharpening 'em up for the new year ...  


Tom


No. 313. Thank you, Jerry Tranovich (and Amanda).
"Over the moon. Really happy with it."

 
 
  

No. 315.  Thank you, Mary Scarnecchia, WWR '79.
"Just got a good look at it, it looks fabulous. You really captured them! Thank you!"


 

Nos. 316 and 317.  Thank you, Shirley Sallmen (again!)
"I have work for you!"

 

No. 310 (718 Pine, SF).  Thank you, Tim Fitzpatrick. Happy anniversary, Diane!
"It's here and I gave it to her early since we have a crazy week. She loves it and is amazed by your work with ink!"
 

 No. 286.  Thank you, Mark Sweetwood.
"Got a cute pic from my parents today. Your pic now hangs in their bedroom. They love it."
In Florida!
No. 301.  Thank you, Kalea Hall. (A gift for gram)
"Hanging in her living room."
 

 No. 312.  Thank you, Robert Connelly.
"Thanks Tom, she loved it!"
Best note ever.
 

 No. 309.  Thank you, Bill Sullivan.
"My man!"
 

 No. 308.  Thank you, Matt Arnold.
"Beautiful."

No. 305. "Lady."  Thank you, Joanne McCarthy Rock
"Perfect!!!! I love it and so will Danny I am sure!"

 

No. 311, My gift to Dave Wood.
With great-grandson Anthony Thomas Armistead.















Friday, December 11, 2015

No. 286: Recreating a Wedding Picture




I am proud of this one, because it was nearly impossible.

I was asked much earlier this year to recreate a wedding photograph taken on May 21, 1955, in preparation for a 60th wedding anniversary party. There had been some ongoing dialogue among two brothers and a sister (in two states) about who had the best copy of the picture. Turned out, no one did. So I was given a grainy printout from a scan and asked to give it a try.



I made no guarantees but did agree to work at raising the image, in time for the anniversary gift to be handed over during a spring family party.
I admit to having a terrible time with the bride's dress and veil, and the groom's white jacket and face.  Eventually a second photo was provided -- a different angle, still not great -- that showed a little more detail in better lighting. So I was able to combine the best parts of both and make a new image.



Turns out, that family party never happened and the picture waited for several months, until the couple visited Ohio in December for a holiday visit.  It's now a Christmas present. 
As a surprise, it was hung in the the room that they would be sleeping in in during their visit to their son’s home. In an ironic twist, one of my previous works, a portrait of Elvis, had to be taken down to make room for this new portrait.



Also turns out, these were not the only available wedding day images. There is indeed a wedding album -- but the siblings didn't want to let on about what they were up to, so we had to use the inferior copies.
I hope I got them right. He looks vaguely like the late, great bandleader Stan Kenton.  She was obviously stunning. A very sharp couple.
I suspect they still light up each other's lives, and have given their now 50-ish sons and daughter quite the example to follow.





Saturday, November 28, 2015

No. 310: 718 Pine, San Francisco


718 Pine St., San Francisco, 2015. India ink rendering by Tom Wills
I wanted to create something that would last, to hang in a home that is rich in history. This india ink rendering, a sort-of watercolor in shades of gray, is an anniversary gift commissioned by a thoughtful and loving husband for his wonderful wife. I am proud to call them both friends. We three got our starts putting out other shades of gray: newspaper ink.



I asked Tim to send me some information about the residence. He writes:

In the upper left corner you can see the original house. Despite being just one room wide, it was among the earlier rebuilds on Nob Hill following the great earthquake and fire of 1906. The home was built in 1913.



The original owner was John Bermingham Jr., general manager of the California Powder Works (dynamite) and a bit of a character according to contemporaneous news reports.

The photo used for the drawing.

The house at 718 Pine St., San Francisco, is a quintessential Nob Hill Edwardian. The original home was three stories tall. A fourth was added much later, bringing the home to about 2,500 square feet. While it looks like it was wedged in between existing buildings, it was among the early structures rebuilt in this part of Nob Hill.  Most everything on Nob Hill had been wiped out by the 1906 earthquake and great fire.


When we bought the home in its centennial year of 2013, we congratulated ourselves that it needed nothing done to it. Then we spent the next 2 1/2 years doing non-stop remodeling. We have been very careful to stay true to the original styles and treatments that honor its Edwardian heritage.



My basic research has made it clear that the home has had many owners over the years.  We bought it from Evan White, a local TV journalist.

https://www.youtube.com/watch?v=MkjB2BiaQLw


As an example of showing respect to its heritage: We gutted the master bath and restored it back to something closer to its Edwardian roots. It's our hobby!

Well, art is (for now) my hobby, and I just love this picture.
Tim and I began working on it Nov. 3 -- election night here in Ohio.  "I am thinking something different than just a straight-on view," he said.

I replied: "I could try a pen and ink rendering of the long view of the house and street and surrounding buildings, no cars.  ... As a pen and ink rendering with gray shades, it would be cool but risky (one screwup and it's toast). I used to be pretty good at it."

There were, indeed, two screw-ups that required an X-acto knife to scrape off errant ink blobs.  But those were the only crises in creating this original.
The ink is guaranteed to be permanent. It will last, like this house, and like our friendships.

Happy anniversary, Tim and Diane Fitzpatrick.  I am so happy for you both.
Thank you for Considering an Original.

Tom


Monday, November 2, 2015

No. 289: Signed by the Living (Dead Heads)

Norman Reedus, left, and Andrew Lincoln of AMC's "The Walking Dead" put ink on No. 289

Somewhere, in or around Atlanta, Norman Reedus woke up with a photo of my "Dead Heads" drawing (No. 289) in his cel phone.
Becky Losey Wyndham, one of the most fanatic fans ever of The Walking Dead,  saw to that.
She made the rounds of the huge Walker Stalker event in Atlanta in late October and early November. She met most of the cast, past and present, including Reedus, who plays Daryl, and Andrew Lincoln, group leader Rick.

No. 289, "Dead Heads" by Tom Wills, June 2015

She brought along this drawing, which she had commissioned and I completed in June.
She wrote:

"Norman took a picture of your drawing. I pointed to your name at the bottom to show him who drew it. He took a picture of it with phone.... He said WOW!!!"


"He loved it Tom!!!! He put it out on the table in front of him and stood up to take the pic of it!!!!"

"Andy said, 'Wow did you do this Becky?' I said heavens no, my friend Tom Wills did it for me.' He said, 'That's amazing!'"

"It is going in the middle of the wall surrounded by all the autographed pics and photos with the cast …"

We've been waiting for months to finish this story.  Read on!



I am somewhat a master of old technology, but not new. I manage to keep old record players, analog tape machines, ancient radios and big old televisions up and mostly running.
Sure I can make CDs but I don't have a DVR for recording television and movies and, frankly, I don't have much tube time anyway.
Except for one show. Everyone in my house knows to leave me alone from 9 to 10 p.m. Sundays when "The Walking Dead" is on.
I love to watch live television about dead people.


The other tenants here call this "Dad's Stupid Zombie Show."
But I like it.  And judging from its massive fan base, I'm right. Again.

"Tom, you should show this in one of those walking dead groups. I think the one I'm in has over 50k people and there are all kinds of people selling artwork about the show. Although some of the work people sell is good, I don't think any are as good as yours."

"I am in a few groups (imagine that) and have shared my new drawing progress and this finished product with them. I love it! Thank you!!"


Recently I was asked to do a drawing of two main show characters for a high school friend, who just happens to be part of a closed group I've also joined (by invitation) called "Walking Dead Rejects."  This should be fun when the new season heats up. But please don't reveal plot secrets! I have friends who DO watch the show later.


I tried to find a really gritty fan photo of Rick Grimes (Andrew Lincoln) and Daryl Dixon (Norman Reedus), and worked hard to convey that filth in this drawing. After all, they have been roaming the South for now-six seasons, whacking and hacking their way to what's hopefully left of civilization. Not pretty.

Becky Losey Wyndham, who purchased this drawing, attends a lot of fan conventions and rubs shoulders with many of these actors and actresses -- and she has the photos and autographs to prove it. We specifically made this picture small enough to fit into a suitcase -- and didn't frame it (yet). I sprayed it with a workable fixative -- one that still allowed the actors to affix their signatures.
Now that the drawing has been decorated by the zombie hunters, it's finished!


Saturday, October 17, 2015

No. 306: Dogs on a Hill

"Dogs on a Hill" by Tom Wills, watercolor

"Dogs on a Hill" is No. 306. I worked on this tor two weeks in October 2015 as summer gave way to fall. But I'd really been working on the concept much longer.

Dot, Coal and Whip.

Finishing the yard work.


I always wanted to do a bigger sequel to a small watercolor from November 2011 called "The Waiting Dog." It's simply a silhouette of a dog (almost Disney-like) waiting at a window from dawn to dusk for his owner to return from a day away. I always wanted to revisit that approach, but with more dogs, congregating to watch the sunrise.
"The Waiting Dog," November 2011
"Dogs on a Hill" is that, except in full color and three dimensions. Also, the dogs are in the heat of the day. With a few exceptions it turned out as I had envisioned for so long (the concept was kinda loose).

They are everyone's dogs.
The dogs on the hill are not my dogs, nor yours. They are random pictures from the internet. As luck would have it, the standing dogs could be positioned to face each other while the resting dog fit right in the middle.  I tried to scale them appropriately so that they appear to be naturally together. I named them Dot, Coal and Whip.

The beginning.


A watercolor wash.

The dalmatian and the lab-hound mix appear to be females, and I like to think they are squaring off over the black lab, assumed to be a male. Lucky fella.
But more likely, they're just dogs hanging out on a hill — carefree and oblivious to time.

Squaring off?

This one started with a fairly detailed sketch showing the dogs, some shading and indicating the general contour of the land under the sky. I first washed in some blue and purple, then some green and yellow and brown. Then I added black and blue for the middle dog, brown and orange for the lab-hound and very faint gray for the dalmatian.

Building up the details.

From those beginnings I built up details: Muscles on the brown dog, facial features and long hair on the black lab, spots on the dalmatian. The ground got ridges and the sky got a few faint clouds.

Coal

Dot

Whip

One of those "few exceptions" to my vision turned out to be a serious proportional issue with the brown lab's head, and later the dalmatian's face. The problem arose from paint blotting too deeply into the paper, making the heads look too big. They were ponies for a few days.

Nose jobs.

The only solution that I could think of was to add white acrylic paint to a watery solution of blues and purples and completely re-do the sky,  painting around the dogs' bodies.  In its wet stage the paint appeared disastrous, but overnight it dried to an acceptable color. The added white even made it look like there are some fluffy clouds on the horizon.
I got lucky.


Starting the lay of the land.
Next came the grass and earth.
The earth is supposed to look like clay but actually is a mixture of yellow, brown, orange, red and gray (much like real dirt). A little white lightened up some of the curves.
I penciled in where I wanted the grass blades, and then painted them in with a thin brush using mixes of green, yellow, brown and black.  But they looked too "thick" so I washed over the whole thing with more brown and yellow, and then used colored pencils to add thin spikes of grass.
That's called cheating.
I then washed over all of the grass with a mix of yellow, brown and green. Done!

Right before the final touches

I am an amateur artist.  I make my living from words, not pictures.
But it is the pictures that give me the greatest creative freedom, provide the essential space that I need in my crowded and noisy life, and generate my greatest satisfaction at the project's end.
The paintings are much more challenging than the pencil drawings, and take many more hours. They offer the biggest scares and the most thrills.
And yet, I know that the paintings have imperfections. That's what makes them original.
P.S.: Who doesn't love dogs?


This painting is no longer for sale. Dot, Coal and Whip live now with their friends Rawlie, Gracie, George and Rebel. And Denise, who always said she has room in her heart for more, and plenty of wall space.